in sunny Armani Privé with a perfectly draped bodice and train, plus a sparkling collar necklace at the opening ceremony and Café Society premiere.
in
a glittering rose gold Atelier Versace gown with swaths of beading and
degradé beads on the train, plus cascading Lorraine Schwartz earrings
and rings by the designer, at the Café Society premiere and gala opening night.
in
a sheer black shirt with opaque panels over her décolletage, plus a
tea-length skirt with ivory blooms (both Chanel) and Christian Louboutin
heels,
at the Café Society premiere and gala opening night.
in body-skimming marigold Stella McCartney gown with a structured bodice, plus a sparkling pendant, at the opening ceremony and Café Society premiere.
in a dusty-rose Gucci gown with beaded anemones and a waist-tie belt with Chopard gems at the opening ceremony and Café Society premiere.
in
a crisp bustier with white trim and button-front detail high-waist
pants (both of her own design), plus Chopard High Jewelry cuff
bracelets, platform heels and an updo, at the opening ceremony and
Café Society premiere.
in
a black-and-hunter-green Givenchy Haute Couture gown featuring two
embroidered cobras on the bodice, plus major Gemfields-sourced emerald
earrings by Chopard and sparkling rings from the brand’s Green Carpet
Collection at the opening ceremony and Café Society premiere
in
a plunging champagne lace Cavalli Couture mermaid dress with silver
sequin detail and diamond collar necklace at the opening ceremony and Café Society premiere.
in a Pamella Roland gown with a sheer and beaded bodice and white mermaid-hem skirt with Lorraine Schwartz jewelry.

in black-and-silver Louis Vuitton with lacing at the neckline and sleeves to the Café Society premiere and Opening Night Gala.
wears tiered lavender Armani Privé with sparkling appliqués and one ridiculously stunning multicolor collar necklace.
in a Saint Laurent pantsuit, flats, chic statement sunnies and a glossy red lip at the opening ceremony and Café Society premiere.
in a Brandon Maxwell gown with a plunging velvet bodice and front slit at the opening ceremony and Café Society premiere.
in a triangle-top black gown with Atelier Swarovski starburst gems at the opening ceremony and Café Society premiere.
in pale pink and yellow plaid lace with a floral shoulder detail by Chanel at the opening ceremony and Café Society premiere.
in
a Chanel tweed pencil skirt and cropped tee (yes, a Chanel T-shirt!)
with jewelry by the brand and graffiti-print black-and-white Christian
Louboutin heels for the Café Society photocall.
in
a scarlet spaghetti-strap jumpsuit with a crossover train detail and
matching scarf, plus a delicate gold Jennifer Meyer necklace, at the Café Society photocall.
wears
a nautical puff-sleeve red, white and blue faux-wrap Marc Jacobs day
dress with a top-handle M2Malletier clutch, Vita Fede jewels and
ankle-strap red Soebedar heels at the
Trolls photocall.
in
a Dior Haute Couture sheath with a sculptural detail at the embroidered
silk bodice, plus fine jewelry and accessories by the line and a sleek
bun, at the brand’s Chateau de La Colle Noire Celebration.
in
a Cinq à Sept pants outfit adorned with floral sprays, a scarf tie at
the neck and oversize cuffs, plus Gianvito Rossi heels, while arriving
at the festival.
wears a slashed black David Koma sheath with sheer insets plus black ankle-strap heels for her L'Oréal portrait.
in a white Dior dress with accessories by the line at the brand’s Chateau de La Colle Noire Celebration.
The Cannes Red Carpet Face-Off: How French vs. American Actresses
On this, the first day of
Cannes,
we find ourselves craning our necks toward the Côte d’Azur. Each year,
the film festival elicits a lineup of bold beauty looks—while allowing a
rare glimpse into the unspoken philosophies of two culturally distinct
red carpet worlds. In one camp: the Americans, a lineup of Hollywood
powerhouses like
Emma Stone and
Natalie Portman,
who turn to high-impact, high-volume hair and makeup for the occasion;
in the other, their French counterparts, a group of equally glamorous
actresses whose artful beauty is marked by a certain undone insouciance.
A quick case study of each demographic is enough to clarify the
distinction. In recent years, Gallic femmes like Mélanie Laurent and
Aymeline Valade
have embraced air-dried blonde waves, nearly natural pink lips, great
skin, and simple swipes of mascara for their premieres. The same can be
said of Marine Vacth, Adèle Exarchopoulos, and Charlotte Gainsbourg, who
elevate rumpled brunette lengths with generally bare faces and an
attitude of nonchalance.
It’s a laid-back beauty that’s only highlighted by the slick, glossy allure of their American peers.
Blake Lively
can always be counted on to work the bombshell factor of her signature
mane, whether pulled back into a statement ponytail and paired with
kohl-rimmed eyes and oversize earrings or pressed into brushed silver
screen waves.
Rooney Mara’s
well-executed gothic girl beauty relies on sharply shaded lids and a
purposeful updo, and Emma Stone’s all-American charm is heightened by a
tousled chignon and flushed, rosy cheeks.
With this year’s festivities about to go into full swing, here are a
few of our favorite French versus American beauty moments from recent
years at Cannes.
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